“The Higher Pantheism in a Nutshell” By Algernon Charles Swinburne

One, who is not, we see: but one, whom we see not, is:
Surely this is not that: but that is assuredly this.

What, and wherefore, and whence? for under is over and under:
If thunder could be without lightning, lightning could be without thunder.

Doubt is faith in the main: but faith, on the whole, is doubt:
We cannot believe by proof: but could we believe without?

Why, and whither, and how? for barley and rye are not clover:
Neither are straight lines curves: yet over is under and over.

Two and two may be four: but four and four are not eight:
Fate and God may be twain: but God is the same thing as fate.

Ask a man what he thinks, and get from a man what he feels:
God, once caught in the fact, shows you a fair pair of heels.

Body and spirit are twins: God only knows which is which:
The soul squats down in the flesh, like a tinker drunk in a ditch.

More is the whole than a part: but half is more than the whole:
Clearly, the soul is the body: but is not the body the soul?

One and two are not one: but one and nothing is two:
Truth can hardly be false, if falsehood cannot be true.

Once the mastodon was: pterodactyls were common as cocks:
Then the mammoth was God: now is He a prize ox.

Parallels all things are: yet many of these are askew:
You are certainly I: but certainly I am not you.

Springs the rock from the plain, shoots the stream from the rock:
Cocks exist for the hen: but hens exist for the cock.

God, whom we see not, is: and God, who is not, we see:
Fiddle, we know, is diddle: and diddle, we take it, is dee.

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Pete Seegar 1919-2014 Sings Raghupati Raghva Rajaram

Raghupati Raghav Raja Ram is a popular bhajan (Hindu devotional song) that was a favorite of Mahatma Gandhi. It is also a favorite amongst devotees in New Vrindaban.

(English meaning below)

Raghupati Raghav Raja Ram
Patita Pavan Sitaram

Sitaram, Sitaram,
Bhaj Pyare Mana Sitaram
Raghupati Raghav Raja Ram
Patita Pavan Sitaram

Ishwar Allah Tero Nam,
Sabako Sanmati De Bhagawan
Raghupati Raghav Raja Ram
Patita Pavan Sitaram

Mukhmen Tulsi Ghatamen Ram,
Jab Bolo Tab Sitaram
Raghupati Raghav Raja Ram
Patita Pavan Sitaram

Hathose Karo Gharka Kam,
Mukhase Bolo Sitaram
Raghupati Raghav Raja Ram
Patita Pavan Sitaram

Kaushalyaka Vhala Ram,
Dashrathjika Pyara Ram
Raghupati Raghav Raja Ram
Patita Pavan Sitaram

Bansivala Hay Ghanshyam,
Dhanushya Dhari Sitaram
Raghupati Raghav Raja Ram
Patita Pavan Sitaram

The song starts with the praise of Raja Ram (Lord Ram). Lord Ram is an incarnation of Vishnu (the preserving aspect of Brahman). Lord Ram is an embodiment of Dharma (Right duty, righteousness) and Virtue.

Raghupati Raghav mean one who has attained all spiritual knowledge, who is strong and firm in righteousness, who is radiant like the thousand suns and who has viveka (spiritual discrimination) and vairagya (dispassion for worldly thing). Such is Raja Ram.

Patit Pavan means the uplifter of those who have fallen from the path of righteousness and virtue. So, we call upon Mother Sita and Raja Ram who are the uplifters of the fallen. Mother Sita is the daughter of Earth. She signifies selfless Love and purity. Mother Earth gives us everything she has without asking anything in return. Mother earth is always pure and everything we get comes from that purity.

Bhaj Pyare Tu Sita Ram means — O beloved Lord Ram and Mother Sita we praise you for what you are and what you signify.

Ishvar Allah Tero naam means — People call you by many names, some call you God “Ishvar” while some call you Allah, but you are the one and only Holy Spirit that is within us all and we are all within you.

Sabko Sanmati De Bhagvan means — Bless everyone with this very wisdom that we are all the product of the same Holy Spirit and that all of us strive towards the path of righteousness and virtue.

Hope that you will find peace and joy in singing this bhajan. We will get utmost spiritual benefit of this devotional song if we can remember its meaning and significance while singing.
Shri Ram Jai Ram Jai Jai Ram

Courtesy: http://truehinduism.wordpress.com/201

 

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“sight ” by Domingo

Give the fear back
to the sun

give the fear back to the man,
to the earth and to the god,
give the fear back
to the teacher
to the doctor
and the shrink

back to whom put it in you.
to the father, to the mother
and the door you could not open,
and the house of the suicide
and the dog
foaming at the mouth

hold nobody´s hand when walking,
love no one and hate nobody.

be alone.

be alone through life and death
and fear nothing
give the fear back to your blood,
give the fear back to your mind,
to the man who gave it to you
long ago

give the fear back to the book
to the knowledge in the book
which is nothing,
to the temple and the truth
which is a lie, give the fear
back,
and remain empty,
empty of thought or expectation,
empty of guilt and of redemption,
turn away from shades of angels
and be alone,
be alone until the wind
that comes out of the great sea

may for nothingness mistake you

and upon its currents take you
to the End

give your fear away forever
today
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“The Vagrant’s Romance” by Eva Gore-Booth

This was the story never told
By one who cared not for the world’s gold.

One of the idle and wise,
A beggar with unfathomable eyes.

One who had nothing but dreams to give
To men who are eager to labour and live.

For the world in its wisdom deep and dim
Had taken all pleasure and treasure from him.

This was the story his soul could tell,
Immortal and unfathomable.

There was no record in his brain,
He did not know he should live again.

But there was one who read the whole,
Buried deep in a dead man’s soul.

“In the days of Atlantis, under the wave,
I was a slave, the child of a slave.

When the towers of Atlantis fell,
I died and was born again in hell.

From that sorrowful prison I did escape
And hid myself in a hero’s shape.

But few years had I of love or joy,
A Trojan I fell at the Siege of Troy.

I came again in a little while,
An Israelite slave on the banks of the Nile.

Then did I comfort my grief-laden heart.
With the magic lore and Egyptian art.

Fain was I to become Osiris then,
But soon I came back to the world of men.

By the Ganges I was an outcast born,
A wanderer and a child of scorn.

By the Waters of Babylon I wept,
My harp amongst the willows slept.

In the land of Greece I opened my eyes,
To reap the fields of Plotinus the Wise.

When the great light shattered the world’s closed bars,
I was a shepherd who gazed at the stars.

For lives that were lonely, obscure, apart,
I thank the Hidden One, in my heart,

That always and always under the sun
I went forth to battle and never won.

A slayer of men, I was doomed to abide,
For ever and aye, on the losing side.

Whenever. I dream of the wonderful goal,
I thank the hidden God in my soul

That though I have always been meanly born,
A tiller of earth and a reaper of corn,

Whenever through ages past and gone
The light divine for a moment shone,

Whenever piercing laborious night
A ray fell straight from the Light of Light,

Whenever amid fierce, lightning and storm
The divine moved in a human form,

Whenever the earth in her cyclic course
Shook at the touch of an unknown force,

Whenever the cloud of dull years grew thin
And a great star called to the light within,

I have braved storm and labour and sun
To stand at the side that Holy One.

No matter how humble my birth has been,
There are few who have seen what I have seen.

Mine the shepherd’s star and the reaper’s reward,
And the dream of him who fell by the sword.

One thing I have learned the long years through,
To know the false words from the true.

The slave who toiled on the banks of the Nile
With wisdom gladdened his long exile.

From Buddha at eve by the Ganges’ side
An outcast learnt the worth of the world’s pride.

To the tired reaper, when day was done,
Did Plotinus unveil the hidden sun.

Amongst the stars, on a Syrian night,
A ragged shepherd found the Light of Light.

From dream to dream, o’er valley and hill,
I followed the Lord Christ’s wandering will.

Kings there are who would barter a throne
For the long day’s toil and the light unknown,

The deed of the strong and the word of the wise,
And the night under cold and starry skies—

The white light of dawn on the hillside shed
On Him who had nowhere to lay His head.

Behold there are kings who would change with me,
For the love of the ancient mystery.

Shepherd and reaper and slave I have been,
There are few who have seen what I have seen.

I have been a gipsy since those days,
And lived again in the wild wood ways.

Wise with the lore of those hidden things,
Learnt from Lord Christ in His wanderings,

Beggar and reaper and shepherd and slave,
I am one who rests not in any grave;

I will follow each stormy light divine,
And the secret of all things shall be mine.

These things have I seen, would you bid me mourn
That I was never an Emperor born?”

 

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“Year’s End” by Richard Wilbur

Now winter downs the dying of the year,
And night is all a settlement of snow;
From the soft street the rooms of houses show
A gathered light, a shapen atmosphere,
Like frozen-over lakes whose ice is thin
And still allows some stirring down within.

I’ve known the wind by water banks to shake
The late leaves down, which frozen where they fell
And held in ice as dancers in a spell
Fluttered all winter long into a lake;
Graved on the dark in gestures of descent,
They seemed their own most perfect monument.

There was perfection in the death of ferns
Which laid their fragile cheeks against the stone
A million years. Great mammoths overthrown
Composedly have made their long sojourns,
Like palaces of patience, in the gray
And changeless lands of ice. And at Pompeii

The little dog lay curled and did not rise
But slept the deeper as the ashes rose
And found the people incomplete, and froze
The random hands, the loose unready eyes
Of men expecting yet another sun
To do the shapely thing they had not done.

These sudden ends of time must give us pause.
We fray into the future, rarely wrought
Save in the tapestries of afterthought.
More time, more time. Barrages of applause
Come muffled from a buried radio.
The New-year bells are wrangling with the snow.

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“Cremation — Ashes to Ashes” by Lou Reed

Well the coal black sea waits for me me me
The coal black sea waits forever
The waves hit the shore
Crying more more more
But the coal black sea waits forever

The tornados come up the coast they run
Hurricanes rip the sky forever
Though the weathers change
the sea remains the same
The coal black sea waits forever

There are ashes spilt through collective guilt
People rest at sea forever
Since they burnt you up
Collect you in a cup
For you the coal black sea has no terror

Will your ashes float like some foreign boat
ot will they sink absorbed forever
Will the Atlantic Coast
have its final boast
Nothing else contained you ever

Now the coal black sea waits for me me me
The coal black sea waits forever
When I leave this joint
at some further point
The same coal black sea will it be waiting

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“Immortal College” by my granddaughter Gracie, 9 1/2

Bubbles and spiders
Plus ghosts and ghouls
Show me a picture
Of gems and jewels

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“Spring” by Edna St. Vincent Millay

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers.

 

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“sight ” by Domingo

Give the fear back
to the sun

give the fear back to the man,
to the earth and to the god,
give the fear back
to the teacher
to the doctor
and the shrink

back to whom put it in you.
to the father, to the mother
and the door you could not open,
and the house of the suicide
and the dog
foaming at the mouth

hold nobody´s hand when walking,
love no one and hate nobody.

be alone.

be alone through life and death
and fear nothing
give the fear back to your blood,
give the fear back to your mind,
to the man who gave it to you
long ago

give the fear back to the book
to the knowledge in the book
which is nothing,
to the temple and the truth
which is a lie, give the fear
back,
and remain empty,
empty of thought or expectation,
empty of guilt and of redemption,
turn away from shades of angels
and be alone,
be alone until the wind
that comes out of the great sea
may for nothingness mistake you

and upon its currents take you
to the End

give your fear away forever
today

 

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“Soundings” by Robert Wrigley

The birdhouse made from a gourd is wired
to a flanged loop of steel and screwed to the southeast post
of the shack. Two holes at the top—near where the stem was,
for a thong of leather to hang it by, which long ago broke—
are now the fingerholes of the mournful wind instrument it’s become.
The broad round bowl of it makes a sort of birdly
basso profundo that pearls through the steel, into the post,
the floor joists and walls in two notes: a slightly sharp D
and an equally sharp F, says the guitar tuner,
which explains why all my thinking these days
is in B-flat, a difficult key for all but the clarinet
and this sudden covey of nuthatches, whose collective woe
makes it a minor chord I am in the middle of.
Nothing to do but hoist such silks as the luff
of limbs and needles suggests, and sail on,
the barely-escaped-from-the-cat chipmunk chattering
like a gull, and the mountain’s last drift of snow
resembling the back of a sounding whale. Hear the thrum of the rigging,
Daggoo? Hear its profoundest woo, its sensible gobbledy-goo
and doo-wop, the boo-hoos of the spheres, by vectors and veers,
by tacks and refractal jabberings, taking us deeper into the weirdness
of the ghost sea those prairie hills were the bottom of once,
this nowhere we shall not be returning from.
Draw the lines! Assume the crow’s nest, Pip. This ship
sails on music and wind, and away with birds.

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